Archive for July, 2010

How To Create Your Own Fonts & Characters on Windows

Tuesday, July 27th, 2010

FontCreator – the most popular font editor!

With more than 2.5 million downloads, FontCreator is the world’s most popular font editing software. It has an intuitive interface that allows beginners to become productive immediately and it contains the powerful drawing tools that font designers require to create and edit high-quality TrueType and OpenType fonts.

When you create or open a font, FontCreator displays an overview of all available characters. You can simply add missing characters, or select an existing character, and modify its appearance. You can import (scanned) images of your signature or company logo, or make a font from your own handwriting. With FontCreator you can also fix character mappings, font names, kerning pairs, and at all times you can preview your fonts before installing.

In the Professional Edition, font validation features enable you to improve the quality of your fonts. Tools to join contours simplify and speed up the glyph design process. Powerful transformation scripts let you create hundreds of additional characters in seconds. FontCreator’s intelligent generation of composites allows you to automatically generate outlines for more than 2,200 (mostly accented) characters.

Whether you’re a type designer or graphic artist who needs a font creation powerhouse, or a hobbyist who wants to have fun creating new fonts, FontCreator has the tools you need.

What’s New

FontCreator version 6 contains many new features and improvements that will benefit type designers, font foundries, and power-users. The most impressive new feature that makes designing fonts so much faster is direct import of vector based images. This is the most reliable way to get illustrations made in vector based image editing software (like Adobe Illustrator) into FontCreator.

Key Features

  • Create and edit TrueType and OpenType fonts
  • Redesign existing characters
  • Add missing characters
  • Add up to 65,535 glyphs per font
  • Convert vector and bitmap images (e.g. a signature, logo or handwriting) to character outlines
  • Import vector files (EPS, AI, PDF, etc) and bitmap images (BMP, GIF, PNG, etc)
  • Edit and regenerate font names
  • Fix character mappings
  • Correct fonts that display incorrectly
  • Convert OpenType fonts to TrueType fonts
  • Generate, modify, import, export, and clean up kerning pairs
  • Add or correct over two thousand composite glyphs
  • Transform individual glyphs or an entire font (e.g. to make a bold version)
  • Extract TrueType fonts from TrueType Collections
  • Unicode support (including the private use area and supplementary planes)
  • All popular encodings and code pages supported (ANSI, ASCII, Unicode, Symbol, Big5, PRC, Wansung, etc)
  • Preview fonts before installing
  • Install fonts in Windows

System Requirements

  • Microsoft Windows 7, Vista, XP, 2003, 2000
  • 24 MB of free disk space

Our software works with Windows, but fonts created with FontCreator can also be used on Mac OS X and Linux.

User Manual

Check out the online user manual, and see how easy it is to use Font Creator. You can become productive – and creative – in minutes.

Comparison Chart

FontCreator is available in two editions. This comparison chart shows the differences between the Home and Professional Edition.

Purchase

Download the free trial version of FontCreator now, and see how quickly and easily you can create new fonts or modify existing ones. Then, you can buy the Home Edition for $79.00(US) and the Professional Edition for $199.00(US). Visit the Buy page for more information about prices, registration details and to order online.

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how to download fonts for photoshop cs4 and other programs

Friday, July 23rd, 2010

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Sans-Serif fonts

Thursday, July 22nd, 2010

Sans-Serif

Sans-Serif

Sans-Serif

In typography, a sans-serif or sans serif  typeface  is one that does not have the small features called “serifs” at the end of strokes. The term comes from the Latin word “sine”, via the French word sans, meaning “without”.

In print, sans-serif fonts are more typically used for headlines than for body text. The conventional wisdom holds that serifs help guide the eye along the lines in large blocks of text. Sans-serifs, however, have acquired considerable acceptance for body text in Europe.

Sans-serif fonts have become the de facto standard for body text on-screen, especially online. This is partly because interlaced displays may show twittering on the fine details of the horizontal serifs. Additionally, the low resolution of digital displays in general can make fine details like serifs disappear or appear too large.

Before the term “sans-serif” became standard in English typography, a number of other terms had been used. One of these outmoded terms for sans serif was gothic, which is still used in East Asian typography and sometimes seen in font names like Century Gothic.

Sans-serif fonts are sometimes, especially in older documents, used as a device for emphasis, due to their typically blacker type color.

Other names for sans-serif

  • Egyptian
  • Antique
  • Grotesque
  • Doric
  • Gothic
  • Heiti
  • Lineale, or Linear
  • Simplices
  • Swiss
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Know Some Font Details

Thursday, July 22nd, 2010

edra screens
This is a True Type version of Fedra Serif, specially hinted for the Clear Type rasterizer. A multilingual contemporary low-contrast serif typeface with short descenders and ascenders intended to work at extremely small sizes.

Plan_Grot_Sten_Cond
A display version of Plan Grotesque with space saving proportions. The typeface is appealing in large signage as well as traditional print use. The stencil cuts emphasise the stroke terminals and give the typeface a crisp, playful character.

klimax_small
Klimax is a display typeface with four styles and OpenType features meant for use at extremely large sizes. Klimax includes two basic styles, Plus and Minus — the heaviest and the lightest possible styles that can be made.

History

A display typeface system consisting of 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be endlessly recombined.

Fedra_IPA
The first full IPA font to treat the glyphs as individual letterforms drawn according to the same principles as Fedra Serif rather than just mirroring existing glyphs. Designed for use in dictionaries.

Nara_font_overview
Nara escapes traditional type classification. It exhibits characteristics of humanist typefaces, but also modern typefaces. It comes with two different styles for emphasis—narrow upright cursive, and slanted italic.

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