Archive for July, 2011

New Ford interiors to feature bolder fonts

Friday, July 29th, 2011

The baby boomer generation has always been a prime consumer demographic, and as the group ages, many companies are adjusting their products according.

Ford has been accounting for the changing needs of this prime consumer base for years. In 1999, the company designed a “third-age suit” (see photo) that would allow its engineers to better understand the physical limitations of older drivers.

This video demonstrates the remarkable suit and its effects on mobility and vision.

“For the first time, people age 65 and over will outnumber children under the age of 5,” said Ford in a recent statement. “It’s a transformation that’s changing the world, along with all kinds of products in it.

Now, Ford hopes a new feature will attract older customers – Baby Boomers whose eyesight is starting to deteriorate – by altering the display fonts in some of their car models.

Fonts will be thicker and up to 40 percent wider on interior displays (see photo). The change will be implemented in the Ford Edge and Ford Explorer models as early as next year. The new displays will be rolled out in other models after that.

The decision to make the fonts bolder was based on a legibility study that Ford conducted using both younger subjects (Ford engineers) and older subjects (retirees). According to the experiment, even minor changes to font size and thickness made the graphics inside the cars easier for all subjects to recognize, regardless of age.

While the change is sure to please some,  SmartMoney writer Catey Hill suggests that Ford also runs the risk of offending a generation that does not generally like to think of itself as ‘old’.

What do you think? Is this a smart move for the automaker, or will the bolder fonts alienate a lucrative consumer group?

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Emboss Fonts Now Available

Wednesday, July 27th, 2011

Emboss Fonts, an internationally standard type foundry started by Stephen Boss in the mid nineties is pleased to announce that Monotype Imaging is now offering his typefaces as fonts.com web fonts. Now any person can apply Emboss’ typefaces to their text rather than creating images for their headlines. This is a clear development for streamlining SEO.

The foundry has just released a new font known as Chubbet Distended, and is currently only accessible at fonts.com, linotype.com.

About Emboss
Emboss Fonts creates extremely personalized fonts for the Mac & PC, Stephen Boss (owner) has been designing fonts since the Mid Nineties. In addition to designing fonts for sharing, he consults on custom corporate projects. The foundry currently has two new designs in line.

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New Bitstream web fonts from ParaType

Monday, July 25th, 2011

It’s not unusual for type foundries to cross-license fonts to each other, or to license them to distributors like WebINK. What’s less common is to license fonts to another foundry, who then revises them. But that’s what ParaType often does, adding Cyrillic support to classic designs from many sources. We’re pleased to have recently added another 79 fonts from 24 families that ParaType licenses from Bitstream, the world’s first independent digital type foundry.

Browsing the list alphabetically, I noticed a particularly impressive set of four in a row that seem to warrant special mention:

  • Baker Signet was designed by calligrapher and type designer Arthur Baker in 1965 for VGC. I’ve never been able to decide exactly how to categorize it—Sans serif, calligraphic? serif?—but it’s my favorite in Baker’s extensive body of work. Evgeny Sadko added the Cyrillic in 2008 for ParaType.
  • Bank Gothic is Morris Fuller Benton’s squared cap-and-small-caps sans serif for American Type Founders in the early 1930s remains a classic. The shapes of the letters make it hold up well on screen; the medium weight works down to 15 px. Cyrillic was added by Tagir Safayev in 1997.
  • Bell Gothic was originally commissioned to make Bell’s tiny phone book text more legible, but today is more popular at large sizes. It was designed by Mergenthaler’s Chauncey Griffith and debuted in 1937-38. Cyrillic was added by Isabella Chaeva.
  • Caslon 540 is American Type Founders’ 1902 take on William Caslon’s English designs of the early 1700s. Caslon was used to set the printed versions of the Declaration of Independence, and for over a century, one could hear American printers declaring, “When in doubt, use Caslon.” ParaType added Cyrillic support exactly a century later, courtesy of Isay Slutsker and Manvel Shmavonyan.

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New Review: Dell Vostro 3350

Friday, July 22nd, 2011

Here are some highlights of our review of the Dell Vostro 3350:

“Color quality is outstanding, and small fonts appear crisp and legible, but off-angle viewing is not perfect; there’s obvious color shifting when viewed from much off to the side. Images from the 1-megapixel Webcam embedded in the display’s higher bezel are too grainy for keepsake purposes, but the camera performs well enough under both bright and dark lighting situation for videoconferencing use, and Dell preloads Skype, so you can make video calls right out of the box.”

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