Hold your place. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit augue duis dolore te feugait nulla facilisi.
There’s no require to change your browser or change your spectacles. If the over paragraph appears greek to you — you aren’t seeing things. It’s an example of greeked text used by desktop publishers and others for years. The Lorem ipsum text is a series of somewhat nonsense sentences derived from some real Latin components. It is also referred to as dummy text.
• utilize as placeholder text in templates.
• utilize during first page layout and font selection exercises when first starting a drawing project or when planning a newsletter when you don’t have the real copy available.
• utilize with a variety of fonts and layouts to get a sense for how each type choice and design will look with real text. The word lengths and letters are similar to the actual occurrence of letters in English which makes it good for approximating any text.
• utilize when creating examples of document designs for clients.
• utilize when creating type sample sheets or examples from which clients choose fonts for a mission.
You could cut-n-paste the first paragraph of this article over and over, or download the Lorem ipsum text file I created which is simply 3 variations of the same paragraph repeated over and over. Right click (PC) or click/hold (Mac) on the link then save the plain text file to your hard drive. Or click on the link and choose “Save” in your browser. See the sidebar for more variations on the lorem ipsum placeholder text.
Posts Tagged ‘Font creators’
Lorem ipsum Text
Monday, August 30th, 2010Sans-Serif fonts
Thursday, July 22nd, 2010

Sans-Serif
Sans-Serif

Sans-Serif
In typography, a sans-serif or sans serif typeface is one that does not have the small features called “serifs” at the end of strokes. The term comes from the Latin word “sine”, via the French word sans, meaning “without”.
In print, sans-serif fonts are more typically used for headlines than for body text. The conventional wisdom holds that serifs help guide the eye along the lines in large blocks of text. Sans-serifs, however, have acquired considerable acceptance for body text in Europe.
Sans-serif fonts have become the de facto standard for body text on-screen, especially online. This is partly because interlaced displays may show twittering on the fine details of the horizontal serifs. Additionally, the low resolution of digital displays in general can make fine details like serifs disappear or appear too large.
Before the term “sans-serif” became standard in English typography, a number of other terms had been used. One of these outmoded terms for sans serif was gothic, which is still used in East Asian typography and sometimes seen in font names like Century Gothic.
Sans-serif fonts are sometimes, especially in older documents, used as a device for emphasis, due to their typically blacker type color.
Other names for sans-serif
- Egyptian
- Antique
- Grotesque
- Doric
- Gothic
- Heiti
- Lineale, or Linear
- Simplices
- Swiss
Know Some Font Details
Thursday, July 22nd, 2010
This is a True Type version of Fedra Serif, specially hinted for the Clear Type rasterizer. A multilingual contemporary low-contrast serif typeface with short descenders and ascenders intended to work at extremely small sizes.

A display version of Plan Grotesque with space saving proportions. The typeface is appealing in large signage as well as traditional print use. The stencil cuts emphasise the stroke terminals and give the typeface a crisp, playful character.

Klimax is a display typeface with four styles and OpenType features meant for use at extremely large sizes. Klimax includes two basic styles, Plus and Minus — the heaviest and the lightest possible styles that can be made.

A display typeface system consisting of 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be endlessly recombined.

The first full IPA font to treat the glyphs as individual letterforms drawn according to the same principles as Fedra Serif rather than just mirroring existing glyphs. Designed for use in dictionaries.

Nara escapes traditional type classification. It exhibits characteristics of humanist typefaces, but also modern typefaces. It comes with two different styles for emphasis—narrow upright cursive, and slanted italic.
11 Best Fonts for Hand Drawn Style Web Design
Friday, June 11th, 2010INSERTING AND FORMATTING TEXT FONT in Adobe Illustrator CS4!
Wednesday, May 26th, 2010One of the most powerful features of Illustrator CS4 is the ability to use type as a graphic
element. Like other objects, type can be painted, scaled, rotated, etc. You can also wrap type
around objects, make it follow a path, create type masks, import text files into containers, and
modify the shape of individual letters in a block of type.
To add type to a document, do the following:
1. Select the Type tool from the toolbox.
2. Click and drag anywhere on the art board to create a marquee for your text.
3. Use the Character palette to choose the font, font color, font size, etc.
NOTE: To view the Character palette, click Window > Type > Character.
Wrapping text around a graphic
To make your work, for example a brochure, look professional, you may want to use Text Wrap
(Picture B).
Objects, which you will wrap text around, must be in front of the type. To make a
Text Wrap, do the following:
1. Select the object you wish to wrap text around.
2. Choose Object > Arrange > Bring To Front.
3. Choose Object > Text Wrap > Make.
4. Set the Text Wrap Options (Picture A).

(Picture A)
Important: You can change how close the text wraps around an image after you have made it by
changing the offset (Picture A). Choose Object > Text Wrap > Text Wrap Options. The lower
the offset the closer the wrap.
After your Text Wrap is set you can move the object freely without resetting your wrap options.
Illustrator Basic Text Effects – Tutorial!
Wednesday, May 5th, 2010True Type Fonts in PHP!
Wednesday, April 28th, 2010How to use the alternate fonts in Dreamweaver CS3?
Wednesday, April 21st, 2010Font Configuration in linux!
Thursday, April 15th, 2010There are two knobs to tweak when it comes to fonts. They are: (I) “Which font file do I use to render this text?” and (II) “What settings do I use to render this text?” As with many areas on Linux, there are multiple incompatible ways to configure all of this.
For (I), selection of fonts: older X apps like emacs use Xresources, which is out of scope here. GTK apps use a GTK-specific font setting. Qt apps use (XXX fill me in). Most newer systems (including GTK and Qt) also use the fontconfig library to handle font fallback: which font to use when the chosen font isn’t available, or when it lacks the characters needed to render the current text. Chrome, as a GTK app, should behave just like any other GTK app in its user interface.
Because web pages themselves (via CSS) provide their own font fallback preferences, Chrome disregards the font fallback provided by fontconfig except when the fonts requested by the page don’t provide the characters needed. (We believe this general goal is a feature, not a bug, but there are plenty of bugs in how Chrome implements this goal.)
For (II), how to render a selected font, things get more complicated. Fontconfig allows per-font preferences; for example you can configure it to say “for Courier New at sizes smaller than 12 points, do not perform any antialiasing”. In contrast, GTK apps obey the hopefully cross-desktop XSETTINGS system (in particular its Xft/* settings). Typically that is set up by the GNOME font preferences GUI (System?Preferences?Fonts) via gnome-settings-daemon. (Other systems like XFCE behave similarly but with their own daemons.)
For the UI, Chrome again behaves like every other GTK app. For web content, Chrome attempts to obey the fontconfig preferences. (Why? The system-wide preference is used to configure just one font, while a web browser displays a variety of fonts at different sizes.) These two settings can easily get out of sync: just change your font preferences via the GNOME GUI. Now fontconfig says one thing and GTK will say another. It may have been a mistake to obey fontconfig at all; I’m honestly not certain whether this was a good idea.
(In my brief testing Firefox appears to only obey fontconfig — change the font settings in the control panel and Firefox doesn’t reflect them — but it also has maybe has its own set of font-display-related settings in about:config. I haven’t investigated enough to see what actually happens. I wouldn’t be surprised if it also varies across distros and versions.)
Core fonts for the Web!
Wednesday, April 7th, 2010Core fonts for the Web was a project begun by Microsoft in 1996 to make a standard pack of fonts for the Internet. The fonts were designed to:
- Be highly legible on screen;
- Offer a wide range of typographic “timbres” within a small number of typefaces; and
- Support extensive internationalisation.
These design goals and the fonts’ broad availability have made them extremely popular with web designers.
While the program has formally ended, the benefits of using broadly available fonts remain; hence, in addition to the original core fonts, newer fonts packaged with Microsoft Windows and Microsoft Office increasingly form a new canon of core fonts. Broader web browser adoption of the web fonts specification may ultimately render the notion of core fonts obsolete by allowing the real-time downloading and display of specific fonts.











