Posts Tagged ‘Make your own font’

Monotype Imaging Completes Achievement of Bitstream’s Font Industry

Friday, March 16th, 2012

Monotype Imaging Holdings Inc. TYPE +0.88%, a leading global supplier of text imaging solutions, today announced it has concluded its achievement of Bitstream Inc.’s font business in an all cash merger valued at approximately $50 million, subject to adjustments based on the closing net asset value of the company.

In the mission is to be the first place to turn for typefaces, technology and expertise that enable the best user experience and ensure brand reliability regardless of device, platform or language. We’re eager to welcome Bitstream’s team of experts to Monotype Imaging — professionals who care as passionately about type as we do.

Monotype Imaging’s global reach and economic strength, united with Bitstream’s strong online font store and OEM business, position Monotype Imaging to serve broader markets, while addressing a wider range of customer needs. The achievement is expected to make stronger Monotype Imaging’s products and services, while providing customers with improved choice and flexibility.

Included in the achievement is the popular MyFonts.comsm website, featuring 89,000 fonts from nearly 900 foundries, in count to the widely used WhatTheFontsm identification service. The transaction also includes the Bitstream typeface library, the company’s Font Fusion and Bitstream Panorama font rendering and layout technologies, a range of fonts for surrounded and mobile environments, and 10 patents. Thirteen employees from Bitstream’s U.S. operations, in addition to 42 Bitstream engineers and type designers who work in Noida, India, are joining Monotype Imaging, providing the company with an extended global presence.

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Copying Leads To Competition, Competition Leads To Innovation

Monday, March 12th, 2012

Marco Arment, the creator of the popular read-it-later tool Instapaper, has an excellent blog post discussing copying, innovation, and the best ways to react to competition. Arment discusses a new Instapaper competitor called Readability, which launched last week and received a lot of praise for including custom fonts, something Instapaper lacks:

I could have interpreted this defensively and complacently: “Georgia and Verdana are great, versatile, highly screen-readable fonts! I don’t need to do what competitors do! Newer isn’t always better! My crusty old fonts have some technical advantage that you don’t care about!” And so on. That would have just made me look stubborn and out of touch, failing to understand (in fact, trying very hard not to understand) why newer fonts could be attractive to customers, and failing to admit that I should have done it first.

Instead, I’m taking this misstep as a wake-up call: I missed an important opportunity that’s necessary for the long-term competitiveness of my product. So I’ve spent most of the last week testing tons of reading fonts, getting feedback from designers I respect, narrowing it down to a handful of great choices, and negotiating with their foundries for inclusion into the next version of Instapaper. And the results in testing so far are awesome. I wish someone had kicked my complacent ass about fonts sooner. Reacting well to competition requires critical analysis of your own product and its shortcomings, and a complete, open-minded understanding of why people might choose your competitors.

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How i make generic Hardcore Fonts

Wednesday, January 25th, 2012

Generate your handwriting as a font

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What’s in a name?

Wednesday, January 4th, 2012

The Adobe Type team has been wrestling a bit with Shakespeare’s timeless question as we wrap up some newly-enhanced typeface families here.

When we make changes in a typeface that could cause  line lengths different from those produced by the previous version, we believe it’s necessary to change the font name a bit so the two versions can’t be accidentally swapped and reflow people’s existing documents. We usually do this by changing suffixes.

Std & Pro
One of the biggest changes we ever made was moving the Adobe Type Library into the OpenType format (starting in 1998). We figured the best way to preserve some continuity yet differentiate the new fonts was to add a suffix to each font’s name. Fonts with our Western European character set would get a “Std” suffix, while those that also supported the Central & Eastern European characters would get a “Pro” suffix. Today it’s simple to look at any Adobe OpenType font name and know whether the font’s language support goes beyond Western Europe. (Our East Asian fonts are a different matter, and have their own character collection suffixes.)

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Generate your own font

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